Hello, Silent Londoners. Soon I will have the results of the 2021 Poll to share with you, but a bout of January sickness has set me back a little. However, I did want to pop on here to tell you that the BFI Southbank season In The Eyes of a Silent Star: The Films of Asta Nielsen starts NEXT WEEK.
The season opens with a lecture and panel event on Thursday 3 February, The ABC of Asta Nielsen. At this event, I’ll be giving an illustrated lecture all about ‘Die Asta’, and then I will be joined by Erica Carter, So Mayer and Bryony Dixon to delve further into the stardom and significance of the woman known as the greatest actress of the silent era. Later that evening I will also be introducing The Abyss and The ABC of Love. Please explore the programme further and remember February represents just the first half of the season – there is more to come in March, including more guest speakers!
To whet your whistles, some links:
- Here’s my feature in the Guardian on the majesty of Asta Nielsen.
- Last night, I appeared on BBC Radio 3’s Free Thinking to discuss Nielsen with Matthew Sweet, Erica Carter, Emma Smith and Lone Britt Christensen. It gets steamy pretty quickly.
- A treat from the archive: a wonderful piece on Asta Nielsen from Sight and Sound, first published in 1973.
- Explore the BFI season!
- The Silent Muse: pre-order Julie K Allen’s English translation of Nielsen’s memoirs, to be published by Camden House this spring.
- Silent London will always be free to all readers. If you enjoy checking in with the site, including reports from silent film festivals, features and reviews, please consider shouting me a coffee on my Ko-Fi page.
I love your blog and am sad I can’t participate in the live event. I have a blog that I explore the history of movies in and you help inspire me to continue. I am deep in the pre-sound days and feel like no one cares. Thanks for your inspiration and content.
A huge database about worldwide reaction to Asta’s films is at http://martin-loiperdinger.de. This developed out of a book that Martin Loiperdinger co-edited (to which I contributed).
Best wishes, Stephen