Feel the passion of Andrea del Sarto in our art prints.

Our art reproductions bring moments of comfort directly into your home.


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Österreichische Kunstmanufaktur

Feel the passion of Andrea del Sarto in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Andrea del Sarto
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Andrea del Sarto

These artworks are particularly popular with our customers.

The most popular works of Andrea del Sarto

These artworks are particularly popular with our customers.


Discover more artworks by Andrea del Sarto

Discover more artworks by Andrea del Sarto

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St. Sebastian Holding Two Arrows...
Undated | oil on panel

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Undated | Oil on canvas

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1530 | oil on panel

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San Giovanni Battista
1521 | Oil on canvas

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Madonna del Sacco, 1525
1525 | Fresh

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1528 | oil on panel

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Madona z detetom, svetnikom in a...
1486 | Oil on canvas

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1518 | Oil on canvas

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Visitatie
Undated | paper

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La Sacra Famiglia con San Giovan...
1530 | oil on panel

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Andrea del Sarto

Andrea del Sarto

  July 16, 1486
  September 29, 1530
   •   Renaissance   •   Wikipedia: Andrea del Sarto

Andrea del Sartos real name was Andrea d'Angelo di Francesco. His nickname derives from his father's profession, who was a tailor. Del Sarto was of remarkably small height, which is why his friends liked to call him Andreino. Originally, Del Sarto began training with a goldsmith, but his drawing skills caught the attention of a local painter, who first taught him himself and later referred him to Piero di Cosimo. In his work, however, del Sarto oriented himself less to his master and more to Raphael, Leonardo da Vinci and Fra Bartolommeo, whose different styles he knew how to combine in an inimitable way. During his lifetime he achieved high esteem and even received the nickname Andrea sensa errori, which means flawless Andrea. After his death, however, he was marginalized, mainly because other great masters of his time, such as da Vinci, Raphael and Michelangelo, surpassed him artistically.

Del Sarto married Lucrezia del Fede at the age of about 31, who sat as a model for him several times and often served as the model for his Madonna paintings. Lucrezia was the wealthy widow of a hatter. The marriage therefore brought del Sarto some financial comforts. It is therefore not surprising that del Sarto showed only moderate enthusiasm for work. He painted when it suited him and also the payment was rather secondary for him. His student and later biographer Vasari, who was introduced to him by Michelangelo, complained about this fact. Vasari acknowledged that del Sarto had a high degree of talent, but his teacher lacked the fiery ambition and divine inspiration that would make a great artist. His opinion of del Sarto's wife was even lower. He described her as jealous, disloyal and quarrelsome.

Apart from two short periods, del Sarto spent his entire life in Florence. Around 1518 the French court became aware of del Sarto's talent and King Francois I invited the painter to Fontainbleau. Del Sarto accepted the invitation and went to Paris without his wife, but with one of his students Andrea Squarzzella. However, the stay was only of short duration. Some assume that Del Sarto did not see himself as a court artist and felt mentally underchallenged. For in his short time at court, he did not produce a single work. According to Vasari, however, Lucrezia is said to have ordered her husband back to Florence. Del Sarto was allowed to return with the king's permission, but should return to court as soon as possible. The king also gave del Sarto money to buy some paintings in Italy for his art collection. But del Sarto never returned and instead bought a house in Florence with the king's money. Between 1520 and his death in 1530, he worked only there until he was finally infected with the bubonic plague and died.

Andrea del Sarto

Andrea del Sarto
  July 16, 1486
  September 29, 1530
   •   Renaissance   •   Wikipedia: Andrea del Sarto

Andrea del Sartos real name was Andrea d'Angelo di Francesco. His nickname derives from his father's profession, who was a tailor. Del Sarto was of remarkably small height, which is why his friends liked to call him Andreino. Originally, Del Sarto began training with a goldsmith, but his drawing skills caught the attention of a local painter, who first taught him himself and later referred him to Piero di Cosimo. In his work, however, del Sarto oriented himself less to his master and more to Raphael, Leonardo da Vinci and Fra Bartolommeo, whose different styles he knew how to combine in an inimitable way. During his lifetime he achieved high esteem and even received the nickname Andrea sensa errori, which means flawless Andrea. After his death, however, he was marginalized, mainly because other great masters of his time, such as da Vinci, Raphael and Michelangelo, surpassed him artistically.

Del Sarto married Lucrezia del Fede at the age of about 31, who sat as a model for him several times and often served as the model for his Madonna paintings. Lucrezia was the wealthy widow of a hatter. The marriage therefore brought del Sarto some financial comforts. It is therefore not surprising that del Sarto showed only moderate enthusiasm for work. He painted when it suited him and also the payment was rather secondary for him. His student and later biographer Vasari, who was introduced to him by Michelangelo, complained about this fact. Vasari acknowledged that del Sarto had a high degree of talent, but his teacher lacked the fiery ambition and divine inspiration that would make a great artist. His opinion of del Sarto's wife was even lower. He described her as jealous, disloyal and quarrelsome.

Apart from two short periods, del Sarto spent his entire life in Florence. Around 1518 the French court became aware of del Sarto's talent and King Francois I invited the painter to Fontainbleau. Del Sarto accepted the invitation and went to Paris without his wife, but with one of his students Andrea Squarzzella. However, the stay was only of short duration. Some assume that Del Sarto did not see himself as a court artist and felt mentally underchallenged. For in his short time at court, he did not produce a single work. According to Vasari, however, Lucrezia is said to have ordered her husband back to Florence. Del Sarto was allowed to return with the king's permission, but should return to court as soon as possible. The king also gave del Sarto money to buy some paintings in Italy for his art collection. But del Sarto never returned and instead bought a house in Florence with the king's money. Between 1520 and his death in 1530, he worked only there until he was finally infected with the bubonic plague and died.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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